
Technicolor Skull
(Ajna Offensive) LP (one-sided) $21.00
This multi-media sound and video project features Anger on theremin and Butler on guitar, effects, and related gadgets, released to coincide with Anger’s Icons opening at the Museum of Contemporary Art in Los Angeles. Twenty-one minutes. Red vinyl, 180g. Edition of 666.
BOBBY BEAUSOLEIL WITH THE FREEDOM ORCHESTRA AND THE MAGICK POWERHOUSE OF OZ
The Lucifer Rising Suite
(Ajna Offensive) 4xLP $60.00 (Out-of-stock)
At the age of 16, BeauSoleil played guitar for several garage acts, including a brief stint with Arthur Lee and The Grass Roots. (As would prove to be the case throughout his life, BeauSoleil's brief impression was lasting and Lee soon re-christened his band Love, reputedly a winking homage to the young runaway's romantic proclivities.) Bandless but unbroken, BeauSoleil landed in Haight-Ashbury just prior to his 18th birthday. Marching into the thriving psychedelic street revolution, he formed artrock band The Orkustra and began gigging regularly at Be-In events throughout the city. During this time, just months before the onset of the Summer of Love, underground filmmaker Kenneth Anger discovered him during a psychedelic arts festival called The Invisible Circus. He immediately cast the handsome musician as the lead man and fallen angel archetype in his latest celluloid ritual, Lucifer Rising. With typical melodramatic pomp, Anger approached him in a parking lot after the festival, declaring, “You are Lucifer!” He agreed to play the part under the condition that he would also compose the film's soundtrack. Caged first in San Quentin and later in Tracy State Prison, BeauSoleil's creative impulses could not be squelched despite his repressive surroundings. With diligence he was able to set up an inmate music program at the latter institution in the early 1970s. Now, for the first time, all the music composed for the soundtrack has been compiled into a single public release. The Lucifer Rising Suite begins with the 1967 version of the soundtrack and continues through a logical sequence of the recordings made in the years spanning 1976-79. With respect to the latter, the original master tapes were mined for music that had not been heard by anyone in nearly three decades. The newly unearthed recordings were then restored, cleaned up and combined with those previously released to make the anthology as complete as possible. With lots of artwork inserts, posters, essay.
Restored to One
(Ajna Offensive - FLAME58) CD $13.00
(Ajna Offensive - FLAME58) LP $15.00 (Out-of-stock)
Restored to One is a modern response (by James Jackson Toth of Wooden Wand and the Vanishing Voice, the No-Neck Blues Band's Dave Nuss, and Sunn0))) / Earth / Boris producer Randall Dunn) to the musical activities of a cult known as The Process Church of the Final Judgment, who used music to spread their visions of Gnostic reconciliation in a time of cataclysmic change. Sabbath Assembly has re-charged the original hymns of The Process Church and worked them into moving renditions that unite the trinity of rock, psychedelic and gospel into one triumphant re-awakening. The Process Church was an intensely creative, apocalyptic shadow side to the flower-powered '60s and New Age '70s. The influential group opened chapters in London, Europe and across the United States. Dressing in black cloaks and walking the streets with German Shepherds, they created their own intricately designed magazines, and promoted a controversial, quasi-Gnostic theology that reconciled Christ and Satan through deeper awareness and love. Funkadelic reproduced Process writings in two of its albums. The Process Church was accused of being part of a Satanic underground conspiracy by true crime pulps, most notably Ed Sanders' The Family, which linked the Church to the Manson murders. The recording follows on the heels of live shows across the US in the Fall of 2009, at which Sabbath Assembly performed previously unrecorded original hymns of the Church. More live events are planned, along with a documentary on the Process Church by William Morris of Skinny Puppy, a video for a song from the coming release, standard CD and LP releases and an archival LP box set (including readings of Process sacred literature by Genesis Breyer P-Orridge, Adam Parfrey, and Lydia Lunch, as well as LOVE SEX FEAR DEATH author Timothy Wyllie), and an off-Broadway theater extravaganza entitled “Gaming the Gods” based on the rise and fall of the Church.